Spring 2K mixed by Epaulets

The second entry in a series of K-Pop, Dance and R&B grooves. Big names, cool vibes, mixed by your friendly neighborhood DJ. Download now and have a listen.

About to enter the second month of stay-at-home, and everything is going well. Fortunate to have an almost bucolic daily routine involving research, notebooks, neighborhood kids on bikes, and sunburnt succulents. So glad to see the stream of couch hangouts, goofy pets, watch parties, and so on- “Togethering remotely” with y’all.

Joe Bataan – Rap-O-Clap-O • TopPop

Watch our great music videos ❯ https://goo.gl/feVLNN
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More info on Wikipedia ❯ https://ift.tt/2Ne8Qr0

Broadcast date: 1980/1/19

This is to let you know that the video recording of the video clip was originally recorded by AVROTROS Broadcasting. AVROTROS Broadcasting hereby warrants and represents that it is the sole and exclusive owner of the physical film and/or videotape footage in this video clip.

The performance of the artist(s) in the clip was filmed and recorded with the written consent of the artist(s) and their representatives.

AVROTROS is a Dutch radio and television broadcaster, founded in 2014 from a merger of AVRO and TROS. From January 1st, 2014 the name of the merged broadcaster was used in joint programmes. AVRO was founded in 1923 as the Netherlands first public broadcaster. TROS started broadcasting in 1964. Toppop was a weekly AVRO pop program that was aired between 1970 and 1988.

AVROTROS Broadcasting
PO Box 2
1200 JA Hilversum
The Netherlands

TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.
World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons with Michael Jackson, David Bowie, Earth & Fire, Queen, Golden Earring, Boney M, KC & The Sunshine Band, Chic, Donna Summer and many many more.

Blu DeTiger – Vintage (Flight Facilities Remix)

hope u like the remix !! thanks for listening 🧚‍♀️


Vintage Lyrics:

Dirty sneakers and a motorcycle jacket
He loves TV, not into acting tho
He never smiles, he keeps it candid
He breaks the rules but I wish that i could have him

I’m a vintage girl
Hanging with the flashback kids
I need a vintage boy for my outfit
Always holds the door but i found him in a mosh pit
Way too dressed to kill, how i feel

He looks so good showing up at karaoke night
He knows all the words to mr brightside
He says it’s a joke but i know it’s honest
It’s so ironic we’re iconic i get off on it

I’m a vintage girl
Hanging with the flashback kids
I need a vintage boy for my outfit
Always holds the door but i found him in a mosh pit
Way too dressed to kill, how i feel

OOOO oooo
Under my skin like a stick and poke

OOOO ooo0
I wanna hate you and love you both

I’m a vintage girl
Hanging with the flashback kids
I need a vintage boy for my outfit
Always holds the door but i found him in a mosh pit
Way too dressed to kill, how i feel


“Vintage” out now: https://orcd.co/vintage​
Watch the Official Music Video here: https://youtu.be/r-ZBqiFrtDw

Check out the music video for Cotton Candy Lemonade here: https://www.youtube.com/watch?v=c-oAK…​

#Vintage #FlightFacilities #Remix

Connect with Blu:
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T-Coy ‘Cariño’ [Greg Wilson Edit]

Greg Wilson – Credit To The Edit Vol.3 (Tirk – 2018)
Available here: https://ift.tt/3vSQqTU

Mike Pickering was someone I first met in 1983 when, along with Rob Gretton, New Order’s manager and Factory/Haçienda director, he approached me about taking a weekly Friday at the club, its first regular bespoke dance night. Mike was then the booker for the Haçienda, but he’d take over DJing duties in ’84, evolving that same Friday session into the hallowed Nude night, a key ingredient of the rave explosion – his eventual partnership with Graeme Park now the stuff of legend.

Apart from working at The Haçienda Mike was also a member of Quando Quango, whose Factory single ‘Love Tempo’ had reached the top 3 of the US Dance chart in 1983. Simon Topping, who played percussion with Quando Quango, and A Certain Ratio before that, would later join Mike in a new project, T-Coy (an acronym of ‘take care of yourself’), with keyboardist Richie Close recruited to complete the trio.

Their first release was 1987’s Latin-flavoured ‘Cariño’, a blend of Tito Puente and Adonis, as Topping put it, fusing live and electronic to deliver one of the UK’s first authentic House releases. It made its debut on Stu Allan’s essential Piccadilly Radio show, played from cassette, before being pressed to white label 12”. Remarkably, Factory frontman Tony Wilson, on the cusp of a dance revolution his club would be at the very apex of, was shying away from putting out dance releases, so T-Coy signed instead to the newly-formed Deconstruction label, Mike also taking a position within the company – his previous A&R work for Factory having unearthed the Happy Mondays. During the coming years Deconstruction would establish itself as one of Britain’s leading dance labels, its artists including Black Box, K-Klass, Bassheads and Felix, plus Pickering’s hugely popular band, M People. By contrast, Factory would encounter cashflow problems due to the delay in delivery of new material from New Order and the Happy Mondays, going belly up as a result in 1992.

Very much a cult-classic, ‘Cariño’ would also feature on the seminal 1988 British House compilation ‘North – The Sound Of The House Underground’, which, in an echo of the ‘UK Electro’ project I was involved in four years earlier, saw the bulk of material produced by the same people, in this case Pickering, Topping and Close. The album would also include Manchester anthem ‘Voodoo Ray’ by A Guy Called Gerald, which, of course, appeared on the second volume of Credit To The Edit.

In 2010, Mike, nowadays a Sony executive, approached me to edit ‘Cariño’ for a remixes package issued on the re-activated Deconstruction label, and it’s a variant of this edit that now provides a fitting opener on the CD.

Written by Pickering / Topping / Close
Produced by T-Coy
Published by Copyright Control
Deconstruction Records 1987
Licensed courtesy of Deconstruction Records Ltd